Picts

Pre-Celtic inhabitants of the Blessed Isles, the Picts are either descendants of the Beaker People or descendants of the Stone Age inhabitants of the land. They continue to enjoy their prehistoric ways and are tattooed savages of the natural, wild world. They are more savage than orcs.

Sterotype
They are thought of as Heathen savages with little to do with Christianity or the ways of Civilization. They paint themselves with woad and get naked and wield six foot swords against civilized gentlemen. Picts are thought of as superstitious, probably knows some minor magic, and  carefully maintains his personal contact with the wild. They are so savage, that they've been known to defeat several Orc tribes and wipe them out, forcing them to hide in the wilds of the Highlands. Many picts seen in Caithness walk around in only loin clothes, man or woman.

Caledonian Tribes
Feudalism is not yet widespread amongst the people of Caledonia. Even where it exists, it's much more advanced in development in the land of Caithness. The people of Cymry also live the tribal lifestyle of the Picts in this land. The Picts themselves, however, call themselves the Albani and their land Albans. The Eiremen call them the Cruithnii but they were given the name of Picts by the Latins. Pict means Painted Man, and it is for this the Picts have become known. The people of these lands are feared as feirce mighty warriors, something even orc tribes have respect for. Although they were prevented from invading the lands of Caithness before, encroaching civilization has forced them northward. Despite their feirceness, anyone traiding with the Picts will soon respect them as artists and craftsmen.

As Caithness existed, there has been many times when the Picts came to battle against the Caithsmen. First under various Kings such as Brutus, and lastly against the Norman French kings of William, Henry, and Richard. When Richard went on Crusade in the lands of Phaeselis and Judaea to rescue the land from Saracens, the Picts managed to defeat Longshanks, only to be beaten back by Prince John. However, only one king has sworn allegiance to the kings of Caithness, the rest of the clans are feircely proud of their independence from Caithness.

One thing is for sure, they are less civilized than the people of Caithness, and surely less civilized than the orcs. They live in a inhospitable land. For only in the halls of the High Kings and Queens can anyone from Caithness can expect to find living standards as to what they are used too.

Pictish Society
The archaeological record provides evidence of the material culture of the Picts. It tells of a society not readily distinguishable from its similar Gaelic and British neighbours, nor very different from the Anglo-Saxons to the south. Although analogy and knowledge of other Celtic societies may be a useful guide, these extended across a very large area. Relying on knowledge of pre-Roman Gaul, or 13th century Ireland, as a guide to the Picts of the 6th century may be misleading if analogy is pursued too far.

As with most peoples in the north of Europe in Late Antiquity, the Picts were farmers living in small communities. Cattle and horses were an obvious sign of wealth and prestige, sheep and pigs were kept in large numbers, and place names suggest that transhumance was common. Animals were small by later standards, although horses from Britain were imported into Ireland as breed-stock to enlarge native horses. From Irish sources it appears that the élite engaged in competitive cattle-breeding for size, and this may have been the case in Pictland also. Carvings show hunting with dogs, and also, unlike in Ireland, with falcons. Cereal crops included wheat, barley, oats and rye. Vegetables included kale, cabbage, onions and leeks, peas and beans and turnips, and some types no longer common, such as skirret. Plants such as wild garlic, nettles and watercress may have been gathered in the wild. The pastoral economy meant that hides and leather were readily available. Wool was the main source of fibres for clothing, and flax was also common, although it is not clear if they grew it for fibres, for oil, or as a foodstuff. Fish, shellfish, seals, and whales were exploited along coasts and rivers. The importance of domesticated animals argues that meat and milk products were a major part of the diet of ordinary people, while the élite would have eaten a diet rich in meat from farming and hunting.

No Pictish counterparts to the areas of denser settlement around important fortresses in Gaul and southern Britain, or any other significant urban settlements, are known. Larger, but not large, settlements existed around royal forts, such as at Burghead, or associated with religious foundations. No towns are known in Scotland until the 12th century.

The technology of everyday life is not well recorded, but archaeological evidence shows it to have been similar to that in Ireland and Anglo-Saxon England. Recently evidence has been found of watermills in Pictland. Kilns were used for drying kernels of wheat or barley, not otherwise easy in the changeable, temperate climate.

The early Picts are associated with piracy and raiding along the coasts of Roman Britain. Even in the Late Middle Ages, the line between traders and pirates was unclear, so that Pictish pirates were probably merchants on other occasions. It is generally assumed that trade collapsed with the Roman Empire, but this is to overstate the case. There is only limited evidence of long-distance trade with Pictland, but tableware and storage vessels from Gaul, probably transported up the Irish Sea, have been found. This trade may have been controlled from Dunadd in Dál Riata, where such goods appear to have been common. While long-distance travel was unusual in Pictish times, it was far from unknown as stories of missionaries, travelling clerics and exiles show.

Brochs are popularly associated with the Picts. Although these were built earlier in the Iron Age, with construction ending around 100 AD, they remained in use into and beyond the Pictish period. Crannóg, which may originate in Neolithic Scotland, may have been rebuilt, and some were still in use in the time of the Picts. The most common sort of buildings would have been roundhouses and rectangular timbered halls. While many churches were built in wood, from the early 8th century, if not earlier, some were built in stone.

The Picts are often said to have tattooed themselves, but evidence for this is limited. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on monumental stones. These stones include inscriptions in Latin and ogham script, not all of which have been deciphered. The well known Pictish symbols found on stones, and elsewhere, are obscure in meaning. A variety of esoteric explanations have been offered, but the simplest conclusion may be that these symbols represent the names of those who had raised, or are commemorated on, the stones. Pictish art can be classed as Celtic, and later as Insular. Irish poets portrayed their Pictish counterparts as very much like themselves.

Art
Pictish art appears on stones, metalwork and small objects of stone and bone. It uses a distinctive form of the general Celtic Early Medieval development of La Tène style with increasing influences from the Insular art of 7th and 8th century Ireland andNorthumbria, and then Anglo-Saxon and Irish art as the Early Medieval period continues. The most conspicuous survivals are the many Pictish stones that are located all over Pictland, from Inverness to Lanarkshire. An illustrated catalogue of these stones was produced by J. Romilly Allen as part of The Early Church Monuments of Scotland, with lists of their symbols and patterns. The symbols and patterns consist of animals including the Pictish Beast, the "rectangle", the "mirror and comb", "double-disk and Z-rod" and the "crescent and V-rod," among many others. There are also bosses and lenses with pelta and spiral designs. The patterns are curvilinear with hatchings. The so-called cross-slabs are carved with Pictish symbols, Insular-derived interlace and Christian imagery, though interpretation is often difficult due to wear and obscurity. Several of the Christian images carved on various stones, such as David the harpist, David and the lion, or scenes of St Paul and St Anthony meeting in the desert, have been influenced by the Insular manuscript tradition.

Pictish metalwork is found throughout Pictland and also further south; the Picts appeared to have a considerable amount of silver available, probably from raiding further south, or the payment of subsidies to keep them from doing so. The very large hoard of late Roman hacksilver found at Traprain Law may have originated in either way. The largest hoard of early Pictish metalwork was found in 1819 at Norrie's Law in Fife, but unfortunately much was dispersed and melted down (Scottish law on treasure finds has always been unhelpful to preservation). Two famous 7th century silver and enamel plaques from the hoard, one shown above, have a "Z-rod", one of the Pictish symbols, in a particularly well-preserved and elegant form; unfortunately few comparable pieces have survived. Over ten heavy silver chains, some over 0.5m long, have been found from this period; the double-linked Whitecleuch Chain is one of only two that have a penannular ring, with symbol decoration including enamel, which shows how these were probably used as "choker" necklaces.

In the 8th and 9th centuries, after Christianization, the Pictish elite adopted a particular form of the Celtic brooch from Ireland, preferring true penannular brooches with lobed terminals. Some older Irish pseudo-penannular brooches were adapted to the Pictish style, for example the Breadalbane Brooch (British Museum). The St Ninian's Isle Treasure contains the best collection of Pictish forms. Other characteristics of Pictish metalwork are dotted backgrounds or designs and animal forms influenced by Insular art. The 8th century Monymusk Reliquary has elements of Pictish and Irish style.